On the blu-ray packaging, Funimation trumpets the Eureka Seven television series as “The Greatest Love Story Ever Animated.” Where that series is centered around love, the movie re-imagination, Eureka Seven: Good Night, Sleep Tight, Young Lovers, is all about death. In particular, it is about the fear of death. Even the crew of the Gekko, an alternate universe version of the TV show crew, spends much of the film running from death using any means possible. Renton and Eureka are the only characters who aren’t defined by their fear of death and instead, focus on love.
About a week ago I posted that 2011, for all its problems, was a stable year for anime. It turns out that stability was short lived. In an interview with Justin Sevakis and Chris Macdonald on AnimeNewsNetwork, Bandai Entertainment President and CEO Ken Iyadomi announced Bandai’s decision to stop licensing and releasing shows. Some bloggers (including Charlie Maib from Kotaku via Japanator) have suggested that piracy killed Bandai. But if you look at what Iyadomi said, I think it’s more likely that Bandai Japan is to blame. And not blame in a bad way, blame in the sense that Bandai Japan (full name: Namco Bandai Holdings) made a rational business decision. It decided, maybe prematurely, to protect its profits and let mainstream fans get anime digitally.