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Elfen Lied – 8 through 10 – Subverting the cute

Again Elfen Lied defies it’s pretty style and delivers a trio of episodes that are anything but. Subverting the look of its cute characters, it clearly delights in extreme mental and physical abuse — the disgusting bludgeoning of a helpless young puppy aptly symbolises how innocence and weakness is exploited in Elfen Lied, and that’s just the humans. Sometimes it’s hard to watch, but when young orphan Lucy is slowly corrupted by the hate and taunts that surround her, a sense of empathy forms between her and the viewer, or at least we understand that if a young kid is bullied into a corner and has no one to turn to, the inevitable result is tragedy. Lucy just happens to be a Diclonius.
What makes Elfen Lied stand out is the way it delves into characters, explores their relationships and personalities. I’ve already talked about Lucy but I’ll say again that through this flashback to her lonely past, we suddenly start feeling something for this so called monster. She is still dangerous, her power still utterly brutal, but behind the gore now lays sympathy. Lucy is a product of her upbringing — in other words, she is a product of human society, granted she had a particularly tough time at school (tougher than the average kid) but shunned and taunted for her looks, betrayed by her friends, it’s no wonder she grew up with such a hatred of mankind.
Before ending the review, there is something else worth noting. The artistic, evocative opening animation and accompanying prayer-like melody is darkly outstanding, it perfectly sets the sorrow-filled, forsaken mood and looks wonderful too. The art is so layered and detailed but expressive and full of meaning that its well worth watching on its own time and time again.

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Kogepan – Living the life of a burnt piece of bread

Just when you think you’ve seen it all, a show like Kogepan comes along. This short series follows the everyday adventures of the titular Kogepan, a burnt piece bread that no one wants to buy. Try as he might to be sold, he’s destined to live out his life unwanted, unsold, uneaten.
Each episode of Kogepan is only 4 minutes long and there are 10 episodes, so I was able to find my way through this series in a record time of a measly 40 minutes. For shame. Kogepan is a hidden gem.
Playing out as a high spirited moral allegory, Kogepan is all about learning to accept yourself, warts and all, and enjoying life. It may look like an innocent kid’s anime, but behind each bready character are personalities infected with such a loveable kind of vicious sarcasm, innocence and humour. The laughs are often wry and pessimistic but this is a show that has real heart.
The way Kogepan has been drawn is wonderful. It’s very surreal and innocent looking, yet matches the witty dialogue perfectly. There are some very cute, innocent baby breads that will make your heart melt, yet this is offset by the group of ugly burnt breads who are so down beat and confused that it’s both funny and slightly heart breaking; they get drunk on milk and roll around trying to cheer each other up.
If you’re in the mood for something different, something surreal or something offbeat, Kogepan is worth looking out for. Just like the message that pervades this entire show, don’t judge Kogepan based on how it looks, behind the odd visual style burns a particularly tasty slice of warm bread (.. I mean anime).