Setting the scene
Nana has plans to move to Tokyo and live near her boyfriend. On the train journey there, she bumps into another woman called Nana; who also happens to be 20 and is planning to live in Tokyo too. Their fashions and personalities strike such a strong contrast, like night and day; Nana 1 is a sugary sweet and innocent girl, while Nana 2 is a brooding and well, gothic woman. These pronounced differences are no doubt why the two immediately bond and form a natural friendship.
Life’s not going to be easy for Nana 1 in Tokyo though; her boyfriend shows her little sympathy- so it’s either get a job and find your own apartment or go back home. And so life in the big city begins.
Before viewing this episode, NANA was my most anticipated show of the spring season. The pre-production art struck me as an admirable attempt at originality and basically, the show looked sophisticated enough to set itself aside from the teen-angst brigade.
I tentatively enjoyed episode 1; clearly, this is a series aimed at young women and while I can appreciate the art and enjoy the super-deformed humour, there is only so much interest I can glean from what is basically a “sisters are doing it for themselves” kind of story. And that’s basically what NANA is right now, it’s about two young woman learning to rely on themselves. The atmosphere is fun, and kooky, and the melodrama is thick with earth shattering narration, though I really need to see more before I can grasp any true direction.
The artwork and animation is very reminiscent of Paradise Kiss, but it’s not as over the top and “camp”. Like-wise, the character designs are attractive and pretty; particularly the females, who all look very glamorous and caked with makeup.
NANA has started out in promising fashion, and has set the scene well for future adventures. It’s pure slice of life and gooey melodrama, and as long as it doesn’t descend into the realms of manicures and hair cuts, I’ll be watching!
Setting the scene