I’m a big fan of Yoko Kanno’s music; be it the atmospheric electronica of Macross Plus (1994) or the acoustic style contributed to Wolf’s Rain (2003), it’s hard to ignore the core emotional beauty of her work; a quality that, not matter which musical style she borrows, ensures that she captures our attention (and often,… Continue reading Polling Yoko Kanno's best soundtrack?
Standing on the brink of a new era for Naruto, I’ve turned back the clock to look at my favourite moments from the series; fair warning – hyperbolic fanboyisms ahead. I started watching the show in 2003 with a cheap 15″ CRT monitor and two tinny sound blasters, at the time I wasn’t interested in… Continue reading Standing on the brink of a new era, looking back at Naruto
For what seems like forever, I’ve been a hopeless follower of Yoko Kanno’s music. I adore almost every single one her soundtracks, from the jazzy Cowboy Bebop to the sweeping, epic sound of Vision of Escaflowne. With a lot of anime composers, I tend to blow hot and cold – meaning I can love a… Continue reading MP3 Spotlight: Yoko Kanno – Kissing The Christmas Killer
I’m sitting here feeling like I can take on the world, I’m listening to the Death Note soundtrack. This is the music that makes Light scribbling in his notebook"¦, hell, eating a packet of crisps, rock us like it’s an earth shattering moment. Understand then that this music is overblown and melodramatic, and love it… Continue reading MP3 Spotlight: Conquer the world with Death Note
Looking back on 2006 we have seen a handful great series come and go, but even fewer great soundtracks have enlightened our senses. And when I say great, I mean music you can listen to at home, at work and on the bus. Toshio Masuda’s beautifully sparse work on Mushishi was a relaxing and naturally… Continue reading MP3 Spotlight: Highlights of Welcome to the NHK!
Is an opening theme enough to reignite interest in a series? I guess it is for me because I’ve just seen the third opening sequence for mediocre vampire slasher Blood+ and suddenly I’ve been persuaded to give this show another chance. First time around I discovered Blood+ was terribly predictable, but if Production I.G devote… Continue reading Can an opening theme resurrect a series?