Like any potentially great anime, the new Lupin the Third: Mine Fujiko to Iu Onna has given us much to talk about already. It’s a beautifully animated, adult series the like of which we haven’t seen in TV anime for a while.
Darker than Black is an enigma. The more I watch it, the less I understand how I feel about it. I wanted to write an article extolling its virtues, for example its deep characters and beautiful art. Then I went back and re-watched season 1 and did a double take, was this the same show I remembered? It was like I was back in the 90s when it was okay for a main character to waste half an episode being introspective instead of advancing the plot. I’d still recommend that people watch it, but be aware that this isn’t the second coming of Cowboy Bebop.
I saw Outlaw Star when it aired on Toonami back in 2001. I think I was attracted to it because it was a space based show that didn’t have Gundam in its name. What I found was an enjoyable space western that didn’t take itself too seriously. And once you accept that it’s not as good as Cowboy Bebop, you’ll enjoy it too.
What is the Cowboy Bebop ending trying to say? It feels like such a waste! Spike doesn’t have to face Vicious, he could just stay with Faye and Jet, leave Mars and fly away, but he doesn’t.
No matter how many times it’s replayed, there will always be that choice hanging over Spike in the end, but then, isn’t that why Cowboy Bebop‘s still so fascinating? Consider Faye Valentine.
If I had to condense my love for anime into one single moment, I’d choose the scene when `Space Lion` begins playing in the 13th episode of Cowboy Bebop (Jupiter Jazz.) It is one of the first times I can remember feeling a pang of bitter-sweetness whilst watching anime: the sadness of Gren’s passing tempered by Spike’s and Faye’s return to the Bebop; that Jet can’t really hide the fact that he truly gives a shit about them but, like a grumpy Dad, is too up-tight to admit it, and Gren’s death-wish to be cut adrift amongst the stars and sent drifting towards Titan. Alone.
“I see. You are Spike. Julia was always talking about you… That your two eyes were of different colours… That’s what she said… That you get a strange feeling when you look into his eyes.” — Gren
A strange romance springs forth from the snow-capped streets and cold, gray clouds, and from the elegant, softly-voiced Gren himself, an angelic hermaphrodite in love with Vicious, yet broken by the betrayal of their friendship. His sad, tired eyes and knowing smile are captured and carried beautifully by `Space Lion`’s warm tone of resignation. It’s a spine-tingling moment.
The ever reliable ICv2 recently posted up a list of the “ten most powerful people in the North American anime industry“. The run down makes for interesting (if a little predictable) reading and sitting at the top is Gonzo’s bestest buddy Gen Fukunaga (of FUNimation), who managed to visciously kill off any competition with his company’s swelling ranks of mediocre action anime to become “the one” (or should I say, Jyu-Oh).
This got me thinking about the people who have had the most influence on my development as an anime fan, or more specifically; which sick bastards transformed me into the hardened anime junkie I am today?
The list of shame
4. Yoko Kanno – Cowboy Bebop
Soundtracks play a great part in my love of anime and no one does it better than Yoko Kanno. I first heard her work in Cowboy Bebop and have since been totally and utterly defeated by her varied tunage and heart wrenching, nostalgic stylings.
3. Chika Umino – Honey & Clover
At a time when I was feeling seriously jaded about anime (I couldn’t even make it through the first 3 minutes of Gonzo’s Black Cat), along came a funny slice of life series called Honey & Clover that completely refreshed my enthusiasm for the genre. This was a geniuenly funny, life affirming drama with colorful, original animation and a wonderful soundtrack to boot. Chika Umino wrote this story, so deserves credit first and foremost, but irregardless of that, everything about Honey & Clover is brilliant.
2. Kentarou Miura – Berserk
Berserk was the first anime I fell head over heels in love with and Kentarou Miura is the genius behind it all. In combining though-provoking philosophy with an extremely violent, complex cast of characters, Miura will forever be the brilliant mind behind my favourite anime of all time.
1. Masashi Kishimoto – Naruto / Shonen Jump
Although it is with something of a guity conscience, I simply wouldn’t be watching anime today if it wasn’t for Masashi Kishimoto’s Naruto. This was the first ever fansubbed series I got my mits on and to this very day I still remember the nerve-wracking, sweat-inducing climax of the Zabuza story arc. After sitting through around 50 episodes of Naruto, I realised I had to check out more anime. And furthermore, I realized subtitles should always be the way to go with foreign film and TV.