After Life, Angel Beats! and anime blogging

After Life, directed by Hirokazu Koreeda, is one of most interesting films I’ve seen. Set in an (unspecified) purgatory, it’s about dead people choosing one memory (and one memory only, the rest fades) to carry with them into (an also unspecified) eternity. Upon choosing, that memory will be recreated on a film-set and recorded with you as the star. You take the resulting VHS with you. The recreation is a massive team effort, with actors, props and all kinds of film-making devices.
If you can’t choose a memory, or simply refuse to, you become a part of the staff at purgatory, helping others to move on. One man has trouble choosing his memory, and so is given a big box of VHS tapes (containing his entire life) that he spends his time pouring over, trying to remember the things he did in his lifetime. Searching for something big and meaningful, eventually, he just chooses a memory with his wife and him; an old couple, sitting on a park bench, talking. The small things can mean so much.
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People with cold hands have warm hearts (Air Doll review)

Two years is a long time.
Just two years ago, I’d seen very few Japanese live-action films, only to eventually realise that my interest in anime was linked to a broader fascination with the whole spectrum of Japanese art; what I get from anime, I hear in Japanese music and see in Japanese film, too. This runs deep for me and I can’t explain why, but anyway, since that point, I’ve seen dozens of Japanese films; I have favourite directors and keep finding new music (the latest being World’s End Girlfriend).
Every new film is just the tip of another ice-berg, revealing only further depths of art and beauty. One of my biggest regrets about this blog is that I haven’t documented this journey into live-action nearly well enough, so, I’m sorry about that, guys, but this post, I hope, will at least go some ways to making amends, because last night I watched Air Doll and just had to write something.
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