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Anime Reviews

Puella Magi Madoka Abstract Subversion Nyanyan Death

In 12 episodes, Puella Magi Madoka Magica convinced me that there’s more to Akiyuki Shinbo than otaku-pandering. The director has increasingly been held in high regard, but until Madoka, I’d not taken any substantial steps into his oeuvre. Not even Bakemonogatari coaxed me in, but post-Madoka, I’ve found a lot of new respect for the man.
Experimental and fearless is how I’d describe the series, as not only does it impose a very specific, artsy aesthetic on a subject matter reserved for the hardcore, it also takes a hard-line with its young characters. Much like Bokurano, it never backs down, or allows for an easy way out.

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Anime Editorials Reviews

Anime after Madoka

Like most everyone else, I’ve enjoyed watching Mahou Shoujo Madoka Magica. I haven’t seen many other series directed by Akiyuki Shinbo, but I’m well aware he’s earned a reputation for weirdness. Even still, I’m sometimes taken aback by how abstract and artsy Madoka can get, and yet, in contrast to fellow auteurs like Masaaki Yuasa and his Kaiba, Shinbo’s eclectic style actually appeals to a broader range of anime fans than elitists like me.