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Mushishi – 21 – Animalistic tragedy

Since the last few episodes of Mushishi left us in upbeat and melancholy moods, this was a timely reminder as to just how heartless a series it can be. I don’t mean heartless in a sadistic sense, rather how a mushi can cause such great tragedy to a couple of people who are quite clearly already at their lowest ebbs.
On its own child birth is hardly a pleasant spectacle, but to give birth to a glob of green goo would be utterly horrifying. Mushishi is filled with this kind of grotesque horror, but within the context of each episode (and as it is here) it’s usually a tragic, sad sight.
In many episodes previous we have seen that Ginko has an underlying passion for his patients; those usually stricken with life-threatening mushi, but here he is almost too clinical. When he tells a couple of budding parents that they will have to murder their mushi-infected kids, you can’t help but feel sorry for them, but Ginko comes across as a bit too detached from their peril and it’s no wonder that he ends up getting stabbed by “their” desperate mother.
Episode 21 of Mushishi is a sad, cautionary tale though this time there is no strong underlying moral. Instead we are again shown the darker side of Ginko’s travels and meet a animalistic mushi that will do anything to survive.

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The Third – 1 to 3 – Far-reaching Fantasy

I’m not usually one to bother with such knowingly cute anime, but for whatever reason, I today found myself taking in the first three episodes of The Third. Of course, it turned out to be (much) better than expected.
In a world torn apart by war, our saviour would appear to be a talented young swords-woman called Honoka. There is nothing new to her personality that we haven’t seen before in countless other shows; she is an emotionally underdeveloped, uptight tomboy who is more befuddled by her emerging romantic feelings than the ugly hordes of giant insects it is her job to exterminate. Honoka makes for a likable lead character, who for all her fearsome sword wielding skills, is actually as unsure and vulnerable as any 17 year old girl. She also shares a fun relationship with her tank- yes; Honoka has a talking, thinking and sarcastic tank.
If I’m honest there is very little true originality to be found in The Third; it is simply teenaged pop-corn entertainment, highly polished yet set in a complex world of environmental devastation and social upheaval. The Third themselves are a race of people similar to what The Guild are to Last Exile; an over-looking and technologically advanced branch of man (or possibly aliens, we don’t know much about them yet) who appear beautiful and want to control everything and anything.
It’s the setting that engrosses me in this series; it is interesting and mysterious, dotted with just enough minor detail to really capture my imagination. It helps that it looks great too. The animation by Xebec shows some fierce potential for action and has some beautiful, nostalgic star gazing. The landscapes- the majority of which are parched deserts- are vast, desolate and dangerous; often teaming with giant ants and disgusting spiders.
For pure escapist entertainment, The Third was a pleasant surprise. It won’t impress those looking for sophistication, but its combination of attractive characters and far-reaching fantasy is nothing less than fun.

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Ergo Proxy – 9 & 10 – Behemoth of confusion

Science fiction and confusion often go hand in hand, but Ergo Proxy is close to reaching the kinds of befuddling heights scaled only by behemoths like Mamoru Oshii. The dialogue, the action and even the damn visuals are so frustratingly cryptic and symbolic that only vaguely am I able to follow what is going on here – not that this is a bad thing, though certainly the viewer should be in the right (preferably coffee induced) frame of mind to get the most out of Ergo Proxy; just don’t expect answers, only more questions.
My real concern (no pun intended) is that this series severely lacks in compelling human qualities; the similarly bleak cyberpunk thriller Texhnolyze was hardly easy to follow, but at least it introduced us to a cast of interesting, dramatic human characters. Ergo Proxy has Real and that’s it- her predictable resurrection from murder is a godsend in that she is the only character in this show that I can empathise with, the rest are emotionless shells; proxies for Dai Sato’s high brow musings.
The truly great aspect of Ergo Proxy is its dark dystopian vision and pondering philosophy; I can see myself enjoying it much more once a few of the big questions have been answered and I’m able to just sit back and let the atmosphere wash over me. I love that this series has vastly decaying landscapes, a sophisticated and mature theme with proper adult characters and a really unique animation style that takes on bizarre, exciting feats of physical action when Proxies clash heads.

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Naruto – 187 – Taste the Flower Ninpo

The problem with these Naruto fillers is that while they are not particularly good, they are not particularly bad either – they are just by-the-books action adventure. Over this past year Studio Pierrot have become the masters of just filling 22 minutes with the most inoffensive, straight forward ninja action you are ever likely to see.
This week’s instalment again sees us repeat that same old formula; Tsunade makes her token office appearance and jokingly briefs Naruto and his random team of the month (Hinata and Chouji) on another mission to do with protecting a bunch of weak villagers who find themselves under the thumb of a group of classic cliche villains. Naturally Naruto gets to do his Shadow Clone thing. It’s like being stuck in a time warp, repeating the same mission again and again; may be I’m trapped inside someone’s sadistic Mangekyou Sharingan?
As ever, episode 187 was a fun way to spend 22 minutes and the action regained the series’ trademark of slick fluidity and cutting motion but still, the complete lack of story progression and character development is hurting me something chronic. I hope and pray that Naruto is too good to rely on this overly familiar, mind numbing formula for too much longer.

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Angel Cop – Repulsive, Uncomfortable, Anti-Semitic

Growing up as an impressionable teenager in the mid-90s meant that my first taste of anime came through Manga Entertainment’s infamous VHS releases; sex, violence and science fiction were the orders of the day and as cheap and nasty as this kind of anime often was, I must admit I still think back on that time of my life quite fondly.

Angel Cop is the epitome of everything Manga (at least in the UK) used to stand for; it’s sinister, bereft of moral fibre and overflowing with such uncompromising violence. And when I say violence, I’m not talking about your sweet Elfen Lied rag dolls. Here is a morbid attention to detail which often forces some quite repulsive and uncomfortable scenes of murder and mayhem. I can best describe it is truly visceral gore. The titular lead character is Angel; a harder, nastier version of Matoko Kunsagi with a hatred for terrorists so deep that she is willing to kill a young kid if it means taking down her unenviable target.

Reading up on Angel Cop shows that it caused quite the controversy when first released in the West due to (according to Anime News Network) “… a rather blatant anti-Semitic slant, however both the dub and the subtitles were altered to a certain degree to cover this”. I am yet to see anything approaching racism in these first couple of episodes, though such an offensive subtext would hardly surprise me given the director is Ichiro Itano, who has previously worked with such questionable content in Violence Jack and to a lesser extent, Gantz.

Based on these opening episodes, I must admit that I am quite enjoying my look back at Angel Cop. Nostalgia often has a way of making things seem better than they actually are (imagine my disappointment when I realized Transformers: The Movie actually wasn’t the greatest film of all time, for shame) but this is still holding up today, despite being produced as an OVA series way back in 1989. The action is fierce and shocking and the visuals are reassuringly striking, combining those wonderful (read: ugly, Brian May-esque) hair cuts from the 80s with an exciting science fiction plot involving special government agents fighting psychically-powered vigilantes and pumped up cyborgs. What more could an action junkie want?

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Tobira O Akete (Open the Door)

Being a big fan of the works of Koji Morimoto (Memories: Magnetic Rose, Animatrix: Beyond), I was quite pleased when I managed to track down one of his lesser known shorts – Tobira O Akete (Open the Door).
Imagine a decidedly more colourful version of British animation classic The Snowman; a young girl is swept from her bedroom and taken on a magical flying journey through an amazing fantasy world of vivid colour and odd creatures.
The drawing style, as you would expect of these experimental OVAs, is quite unique. As if to mirror the imagination of a young kid, there is more emphasis put on shape and colour than strict detail, evoking a potent mixture of magic and wonder.
Given just how surreal and vivid Tobira O Akete is, it is hard to know whether or not everything that happens was just a dream. It is fun to watch though and took me back to a time when the world really was a kaleidoscope of wonderful colours and impossible shapes.

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One Piece – Episodes 78 through 91 – The Chopper Arc

Much like a snowball rolling down a mountain, my outright love of One Piece is now out of control, ready to smash anything that dares stand in its way. I’d seen images of Chopper before this arc, but never did I expect his history to be so frightfully tear jerking, so utterly heart breaking and magical. This is no doubt a big reason why I so enjoy anime like One Piece; every character, even a talking reindeer with a blue nose like Chopper, is fleshed out as a brilliant, larger than life personality, dogged with tragedy yet still content, nay determined, to move on with life, to achieve his own personal dreams.
No doubt this will go down as my favourite story arc of One Piece (so far). When an endearing character like Doctor Hiruluk dies out to a beautiful rendition of Ave Maria, it’s hard not to get swept up in the moment, overcome with the tragedy Chopper’s loss yet filled with admiration for the deceased final words, a speech filled with the kind of optimistic philosophy that fills your heart with a such reassuring warmth and hope for life.
The idea that someone never dies if you inherit their memories and their will is a message that lies at the heart of One Piece. Gold Roger’s greatest achievement was in his final words, echoed at the beginning of every episode, the words that gave birth to a thousand dreams. Similarly, Doctor Hiruluk’s limitless passion and impossible ambition lives on through Chopper. This was anime at its best, at its most powerful and I love it (to pieces, one might say!).

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Naruto – 186 – The episode where Shino laughs

This episode makes a mockery of everything Naruto stands for and as a hardcore fan, there is a guilty voice saying I should be completely offended by it, but honestly, this episode was so off the wall and slapstick funny that I could not help but love every minute of it.
The premise is brilliant. Naruto and Shino are asked to attend a funeral on behalf of a “client”, the catch is that if the other guests at the funeral can make Naruto or Shino laugh, they will get a cut of the deceased’s fortune; cue some of the most surreal, weirdest attempts at humour seen this side of Cromartie High School. Given how serious this show usually is, it makes a nice refreshing change (especially within the confines of such endless, empty filler) to see the likes of Shino and Naruto just cut loose and laugh their heads off.
Episode 186 will not go down as the finest example of the Naruto anime, but right here, right now, I have to admit this is the most fun I have salvaged from Naruto for what feels like years.

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Jyu-Oh-Sei – 5 through 6 – Lost Love

To my frank and utter bemusement, we are now over half way through the 11 episodes of Jyu-Oh-Sei and although a part of me is glad to see every episode crammed full with so much story and character development, I can’t help but lament a narrative which is clearly moving a bit too fast for its own good, not least of all Thor’s transition from talented kid to Ochre Ring’s respected Top in a measly two episodes.
It is a shame because the rest of this show is outstanding. The planet of Chimera strikes me as a colourful, vast and dangerous place to live, the main characters convey and conceal their ambitions admirably and the story drives ever onwards with themes of love, betrayal, conspiracy and strength. Watching the likes of Thor and Tiz grow into adults adds a real sense of the depth to their personalities and if only we had 26 episodes to play with, the interwoven character relationships could have crushed us with their climaxes; in particular, it would have been great to see a few more scenes devoted to fleshing out such an inevitably tragic heroine like Chen.
Jyu-Oh-Sei is an exciting and immersive experience, but now I’m doubtful it can become a real classic.
Fan-girl translation of the above:
I love Jyu-Oh-Sei! Not that I seen all the episodes in the anime nor read the manga but it makes me really happy to watch how cute they all are 2gether! yay! And aww, Third are sooooo cute!!! Why aren’t boys in the “real” as cute as him? mwihihi ^^
well to everyone who reads this, just watch the anime it’s worth it!!!

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Naruto – 185 – Grotesque Pet

And so begins another 23 minutes of pure time filling anime, Naruto-style. But despite it’s stupid premise, episode 185 wasn’t too bad; at least it was funny. These one-shot episodes are surely more suited to absurd comedy than say last week’s rushed mess of unoriginal drama.
I’m sure we all have a mild fear of wild animals, especially those that drop out of the sky, grotesquely attach themselves to our bodies and then grow bigger over the ensuing weeks. It’s disturbing how Naruto actually takes to his furry mutation (called Onbu) quite well, even if in one particularly gross scene, it pisses all over his back! Not to mention that he gets treated like a leper by his “friends” and of course, there is the smell too, how can Naruto stand the smell?!
As stupid as sounds, I have to admit I was even quite touched when Onbu carried Naruto back home; a nice display of brotherly-love never fails to warm the heart! This was hardly a return to form, but for what it’s worth, the gross out comedy hit all the right notes.