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Kiba – 7 – Hollow Defeat

As insane as it may sound, the last two episodes of Kiba were actually quite good! If you then stop to consider that they also didn’t feature its main character, there is something undoubtedly wrong.
To keep me interested, a show has to have an interesting, involving and immersive story; Kiba doesn’t have that. Likeable and unpredictable characters can also help too; no such luck for Kiba here either, we gleaned some of these elements in the previous two episodes, but now we are back to Zed’s gladiatorial timeline any semblance of potential has flown out of the window.
Mindless, derivative action is about the only way I can describe this episode. As much as I wanted to see Kiba retain last week’s promising conclusion, I can’t hide from the fact that Zed and his general story is so incredibly cliche, predictable and hollow that watching Kiba is good for only one thing; reminding me how important genuinely innovative and creative anime actually is.

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Kiba – 6 – The price of freedom

It’s easy to take kids anime for granted, but compared with Western cartoons aimed at the same young viewers, the difference in conviction and themes is exceptional. Through out episode 6 of Kiba, several (old and young) characters die. It’s not gory, but the intent to kill is clear from the outset. There are no last minute resets, no brave super heroes to save the day; that’s not to say there aren’t characters with good intentions, but (as this episode suggests) sometimes good doesn’t always win out.
Frankly, I was really impressed with this episode. As cliche as Kiba has been up until now, I never expected to see the characters battle like they did here. It was shocking to see Noa envelope an entire town in flames, shocking to see old buddies like Kis and Gale impale each other with their swords.
Episode 7 promises a return to the dumb-luck of Zed and his boring face off with Dumas, but taken as their own separate story, both episode 5 and 6 represent an emotional and unpredictable high point for this series, where the ideology of short sighted adults collides with the untainted vision of youth. I’m in no doubt now that Noa will eventually turn bad and come to battle Zed, but with this kind of compelling back story, who could blame him for giving up on society?

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Black Lagoon – 1 through 3 – Adrenaline Rush

It took me a few weeks to catch onto Black Lagoon, but now I’m fully convinced of its (loud) qualities. I had avoided it up until this weekend because the reviews I’d read gave the impression that it was another typical girls with guns anime. I was wrong and it’s much more than that. I’m sorry for doubting you, Madhouse.
Let’s not get ahead of ourselves though- Black Lagoon is a purely action driven series, but (like Gungrave) rather than simply wallowing in style, the story sprinkles enough compelling character development to really capture the moment. The star of the show is Levi- an absolutely badass mercenary capable of killing her enemies by the dozen. So far, she has shown very little in the way of emotion- preferring instead to swear, get drunk and basically kill anything that moves. Her foil (and opposite lead) is Rock- a Japanese “salaryman” whisked away from the boring world of corporate business. He’s still searching for meaning in his life and opts to become a sailor of the Black Lagoon rather than go back to his boring old life of monotony. Rock is living the epitome of every salaryman’s dream.
The rest of the Lagoon crew are just as likable- particularly captain Dutch, who defines macho cool in very 1980s Schwarzenegger way.
It’s notable just how immoral the story has been up until now. Given this is about modern day ‘pirates’, the action is not so much as case as ‘right’ or ‘wrong’, rather how much Dutch and crew will be paid – there is no respect for human life. The characters are criminals, but remain sympathetic because of their honourable warrior-code and a strong sense of comradery and friendship.
The animation is very physical and kinetic; when combat kicks off, there is a real bite to every bullet, every punch and every torpedo. It’s consistently exciting because the presentation maintains a palpable sense of danger where anything and everything is a possible weapon.

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Kiba – 5 – Swings & Swords

At a time when Kiba was in real danger of drowning in the true depths of unsalvageable mediocrity, an episode like this comes along and suggests that the story may well have some mileage after all.
Tellingly this was an episode free of Zed; rather the story follows his bespecled old buddy Noa who also seems to be teleporting about the various lands of Kiba. He ends up in a country (Neotopia) governed by the iron fist of a militaristic government where young men are being conscripted into the army. Being as it is an honour to become a soldier, most kids end up willingly leaving, while (much to the obvious distaste of the passionate locals) others would rather stay.
This episode was surprising in the way it handled what would inevitably be a sticky situation; best friends torn apart by war, one wants to fight while the other just wants to have fun, their polar opposite choices inevitably lead to conflict and the way it’s presented here was surprisingly well done; it managed to capture both the innocence and subsequent corruption of idealistic kids. A much improved instalment of Kiba, though this arc’s ultimate success rests on it’s conclusion next week.

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Kiba – 4 – It sucks… but that's cool, because I like it!

So today I had to choose one of three episodes to watch. I could have gone with Studio BONES’ latest masterpiece Jyo-Oh-Sei, the utterly artistic new arc of Ayakashi or be content with the generic shounen delights of Kiba. If you’re reading this, you already know which episode I plumped for! I feel so dirty.
Zed hears about a joust contest and in his typically gung-oh style, decides to enter. It’s a competition that pits one shard caster against another in a gladiatorial arena, minus the death.
As if Kiba wasn’t already reminiscent of the tried and tested shounen action template, this episode sees us revisit the classic tournament format. Yawn indeed, but the thing about Kiba is that the story moves at such a brisk pace, so while this kind of set-up in Naruto would consume say 10 episodes, Zed and company remarkably battle it out in seconds. The episode ends on a cliffhanger with Zed about to unleash hell (in the final, of course) on camp pretty boy Robes and I must admit I’m looking forward to seeing how it all ends, both characters could use a good kicking.
Zed’s still an abject arsehole, but Kiba remains just good fun to watch. The soundtrack is attractive and dramatic, the landscapes are vast, bright and colourful and the animation is fluid enough to cover the action with a enough adrenaline. The story and general intelligence of writing continues to leave a lot to be desired; stuff is just happening with little or no prompting, but irregardless, you can’t underrate enjoyment; that’s the most important part.

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Studio 4C's Comedy – Medieval fable set in Ireland

Story so far
Set during Ireland’s War of Independence, a young Irish lass, besieged by the merciless English soldiers, seeks the help of a legendary swordsman who is rumoured to have supernatural powers.
My impressions
Studio 4C’s Comedy is a gripping 10 minute OAV from Kazuto Nakazawa; the main creative force behind Kill Bill’s ultra-violent anime sequence. This is a dark, gothic tale with no real historical significance, a vehicle for Nakazawa’s undoubted sense of style. His scratchy, sleek character designs are distinctive and attractive here, as is the hyper stylised violence. The compelling soundtrack is basically one song, but what a song; operatic classic Ave Maria.
It all adds up to be a really quite outstanding OAV, bleeding with moody landscapes and vivid characters no doubt inspired by an old European picture-book aesthetic. Comedy may only be 10 minutes long, but it works perfectly; both as a experiment in surreal atmospherics and an entertaining snapshot of Britain’s bloody history.

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Kiba – 1 through 3 – Cliche shounen strikes again

Stating my desire for yet more shounen escapades, today I took in the first three episodes of Kiba.
Mediocre is the word that immediately comes to mind; neither bad nor outstanding, Kiba is a by the books fantasy adventure story packing just enough intrigue to maintain my interest from episode to episode. Disappointingly (especially considering the genre Kiba slots into) the monster-on-monster and light sabre-on-light sabre action is uninspired and lacking visual punch. The characters (including the cliche brooding lead, Zed) are mostly echoes of the established shounen stereotypes; important personalities include the humourless protagonist, gutsy female (potential love interest) and overly effeminate (probably gay) best friend.
You see I have this big list of complaints about Kiba, but I guess I have a weak spot for this kind of adventure story because despite all of these problems, I’m planning to continue watching- at least for another few episodes. The universe is well set up; a kind of edgy political\civilian rebellion appears to be brewing and Zed’s shrouded past is just that, shrouded and mysterious. The soundtrack is another big plus- the horrible music in Bleach pretty much killed whatever interest I had in that show, but Kiba sounds a lot more sophisticated and dramatic than it looks.
I guess you can call me a curious viewer for now, I see some promise in Kiba but it’s going to have to pull out some serious drama soon if I’m going to hang around for much longer. I was about this impressed with the first couple episodes of Full Metal Alchemist though, so there’s still some room here for Kiba improve.