Anyone remember Pierrot Le Fou from Cowboy Bebop? How can we forget that floating fat man, screaming with insane laughter as he tears his way through the landscape. I know D.Gray-man may not have the kung-fu style of Spike Spiegel, but “The Earl of Millennium” looks just like Pierrot Le Fou, and also happens to be a sick bastard too.
Regardless that my brain is still hurting from the craptastic shounen epic Kiba, this first episode of D.Gray-man was surprisingly impressive; showcasing suitable levels of gore and supernatural brutality, my ultimate interest in these Shounen Jump adaptations often rests on their mutli-talented casts. Ichigo of Bleach is a dull jock, so I can’t be bothered, but D.Gray-man’s Allen Walker offers a mysterious balance of “dark history” (represented by a striking red tattoo dripping down the left side of his face and an apparently demonic left arm ) with a shockingly pleasant personality. Just from his voice, its obvious Allen has a good heart, and no doubt, he should become a hero worth supporting.
D.Gray-man’s universe is based on an involving snap shot of late-Victorian England, an era full of little details and fascinating quirks- the fashions, the hair styles and the architecture of the time have been captured well, setting an intoxicating and foggy tone from which the supernatural adventure can begin. This undeniably human mythology, covering the classic themes of ghosts and exorcism, builds an important sense of belonging and familiarity for the viewer, lulling us into Allen’s weird and wonderful life, a world still capable of springing a few real shocks and grotesque surprises.
Based on this one episode, D.Gray-man has shown real potential. Completely coherent (compared with Kiba) and mysteriously atmospheric, it immediately reminded me of Fullmetal Alchemist, right down to the tragic truth of Allen’s dangerous profession. I plan to watch more, filled with the hope that this can become an involving and fascinating adventure.
Tag: action
It’s those damn terrorists again! As we’re all aware, the war on terror knows no bounds, and now, not even our anime is safe! The beloved hidden village of the leaf (known to gurning locals as Konoha) has become the target of crafty suicide bombers – who could have suspected berserk eagles with explosives strapped to their claws, aimed straight at the popular village’s renowned statue? One can only imagine how these ingrates managed to brain wash wild animals. Later that day, a veteran suicide bomber disturbingly hinted that it’s now only a matter of time before these eagles are taught to carry weapons of mass destruction.
Luckily for the civilised world, terror soon became jubilation when a brave group of young peace loving ninja, led by one Uzumaki Naruto, stood up for their love of freedom by beating the [geriatric] terrorist to death. Freedom for the win!
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Hunter X Hunter – First Impressions
I make no secret of my affection for Shounen Jump anime, from Dragonball Z to Rurouni Kenshin, by way of Naruto and One Piece, it’s a genre – incredibly formulaic though it is – that I drag myself back to again and again, pumped and ready for another sweaty training montage and trash talking decidedly diabolical villain. The protracted action, the limitless melo-drama, I just love it.
On to my latest adventure then – Hunter X Hunter; acclaimed by a passionate few as one of the best this genre has to offer, my curiosity was peaked by the fact that it remains unlicensed outside of Japan. In an age where Bleach and Naruto are the most popular anime licenses in the world, it’s odd that Hunter X Hunter is fading into the realms of mere otakudom.
This evening I had the pleasure of sitting down to watch the first two episodes and although this isn’t really a surprise given my track record, I enjoyed them. While the action is hardly jaw dropping eye candy, Hunter X Hunter provides a warm and realistic perspective on the “adventuring” story-line. When plucky young Gon decides to become a “hunter” and track down his absent father, the inevitable parting with his adopted mother is met not with an enthusiastic thumbs up but a sad and worrisome hug, set against a dark red setting sun. Later in episode two, Gon’s naive country-boy innocence sees him stray perilously close to the murky world of child slavery.
This attention to realistic human struggle is perhaps what separates Hunter X Hunter from its peers, that Gon’s road to adventure is paved with harsh and elegant truths about life and love means his growth as a character is all the more heartening.
As you would expect of a Shounen Jump anime, Gon’s personal quest – though central to the story – is but a means to introduce us to a massive world of eccentric hunters, wild animals and colourful landscapes. Fantastical and fun escapism. In comparison with say Naruto, there are no cool ninja head bands or crazy killer moves – Gon’s only weapon is his trusty fishing rod, but with such an emphatic emphasis on personality, he could be fighting with a spoon for all I care, the heart and soul is what counts, and Hunter X Hunter has made a fine first impression.
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Naruto – 200 – Filling time with ninja
It has been a while since I last caught up with Naruto – still its a series I treasure deep within my heart, but these ever enduring “filler dark ages” are even dwindling the concrete enthusiasm I once felt for master Rock Lee and his “spring time of youth”. True to Naruto’s emphasis on fighting spirit, I will never give up on this show, I won’t read ahead and spoil myself with the manga – instead my fandom is on auto-pilot, navigating the blue seas with Monkey D. Luffy. Only god knows when the fillers will end – but my guess, for what another fanboys desperation is worth – is episode 208, the next true increment if the series is seperated by the anime-standard of 26 episodes per season. Fingers crossed, anyway – its been a year already and I’m starting to feel like I imagined characters like Orochimaru, Itachi and even that damn angsty bastard Sasuke.
As far as the quality of this particular filler arc goes – it’s not too bad. Despite a typical lack of tension thanks to the nagging knowledge that deep down we know Naruto is in no real danger and that Konoha won’t be blown up, in small doses it’s still fun and ever so slightly exciting. It’s nice that the chemistry between the various characters still works; them playing off each others ecentric quirks is shallow but entertaining. In other words, I can’t help but enjoy Hinata’s shy affection for Naruto exposed again and again by his dim witted and innocent brauva. It’s great that ANBU are popping up now and again too; their aggressive and cold presence, though fleeting, rekindles my smouldering faith in the darker side of Naruto and reminds me of how once upon a time, this was actually burning brightly as a quite brilliant action series. I long for those days again.
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Black Lagoon – 12 – BOOOOOM! HEAD SHOT!
So that’s it then, no more Black Lagoon for (at a guess) a couple of years. I really loved watching this series; after a hard day at work, when it’s a tough ask to even keep your eyes open let alone watch and read anime, Black Lagoon shone like a bloodied beacon of hope. I knew no matter how tired, or how jaded, I could enjoy watching this.
That’s what Black Lagoon meant to me. It didn’t carry much emotional weight, but it had episode titles like “Guerrillas in the Jungle” and “Rasta Blasta”. There is something so attractive about its zero pretension; it’s somewhat fun to see when a series is so honestly and passionately devoted to just thrilling the viewer from start till finish. It’s fan-service, but in a broader sense (not in the moe – killer loli – panty shot – harem sense) – taking it’s cues from the Schwarzenegger, Stallone and Van Damme era of 1980s action, Black Lagoon was a consistent, balls against the wall action series with little or no regard for human life. It’s great.
If I didn’t know a second season of Black Lagoon was coming, I would feel somewhat deflated by this final episode. Of course- it pays off with the now-expected-during-every-episode kick ass action; in particular, ninja woman throwing around her giant machete on a rope is a high point, but then it just ends. We don’t even get to see Dutch. Hints are made about the second season (American CIA agents talk to Revy as if she has trained with them in the past, the Japanese Guerrilla survives to fight another day), and basically it ends with the feeling of just another episode. So much so I waited for the next episode preview, but alas nothing appeared. My anticipation of the second season starts now.
I love a lot of anime and technically, so much of it is superior to Black Lagoon – but I just know that if I had to choose one anime series, over almost everything else I’ll happily watch Black Lagoon again and again. BOOOOOM! HEAD SHOT!
After the previous couple of unrelenting maid bashing episodes, the eleventh instalment of Black Lagoon was always going to seem a tad watered down in comparison. And so it proves- the penultimate “Lock’n Load Revolution” has more talking than shooting, and is almost entirely aimed at building up an initially convoluted race between an ambitious group of idealistic terrorists, a somewhat traditional (testicle cracking) Chinese triad (in cooperation with the CIA!) and in the middle of it all is of course our Lagoon.
If I have a problem with Black Lagoon it is that the characterisation has taken a vacation. It’s now more like watching Hellsing (though a lot better) – wondering who or what monsters will be facing Revy next. As fun as it is to see some crazy Chinese mafia bloke kick a grenade into a group of hapless grunts, Black Lagoon somewhere along its war path has lost that underlying emotional catharsis and is vainly trying to cover itself with one too many trendy gimmicks. In short, it’s getting a wee bit episodic. Still fun, but lacks a human bite.
There are many ways to settle a score and none better than an old fashioned dust up; I think this qualifies as the first time I’ve ever seen two women literally beat the shit out of each other with their bare knuckles. None of this pulling hair and scratching with their nails nonsense; if Black Lagoon is going to have a face-off between the two toughest women in the world, you better expect more than a few pinches.
So episode 10 marks the end of the “Unstoppable Maid” arc; emotionally it added nothing to the series, but I’ll be damned if I come across another couple of anime episodes this year that look as red hot as this was. While firmly tongue in cheek and more than willing to poke fun at its own absurdity, I love that knowing wink Black Lagoon makes at the viewer. That and the slick homages to any number of classic Hollywood pop-corn movies- this time Terminator 2 being the obvious influence behind Ms. Roberta and her unstoppable quest.
Usually I can’t stand girls-with-guns anime, but Black Lagoon ditches any hint of dainty beauty and replaces it with a big fat “fuck you!”
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The Alabasta Arc of One Piece
The Alabasta Arc of One Piece sees this fine series at the top of its game, juggling dynamic character drama, explosive political upheaval and some eccentric body twisting action. Despite falling into a few classic Shounen Jump cliches (not least of all a super villain in Crocodile who unwittingly reveals his devious plans to his then captured arch enemies) the sheer scale of the Alabasta rebellion unfolding before my eyes was a spine tingling, gut wrenching sight to behold.
There was a lot that I came to love about Alabasta; from the endless sand dunes of its harsh deserts to its mythological architecture. The final battle set in Alubarna combined this giant, compelling feeling of a country at war with such a beautiful collection of rocky, warm and timeless landscapes. The animation- and particularly Luffy’s final battle with Crocodile was earth shatteringly fluid, completely encapsulating a Devil’s Fruit battle with its gravity defying, unnatural sense of power and movement.
Ultimately though, it’s the characters that really made this arc. Be it through Pell’s heroic sacrifice or Vivi’s painful cries for peace, I often felt completely immersed in it all. The tragedy, the philosophy and essentially, the friendship that wins out in the end was touching and heavily emotional.
Coyote Ragtime Show is everything I expected it to be. This first episode is generic, “cute” and painfully uninspiring. I’m sick of seeing cute girls dressed up in colourful, frilly dresses jumping around wielding impossible strength. It’s so formulaic, cold and calculated; you can imagine the money men sitting around in their leather boardrooms, smoking cigars and laughing their asses off, after all, their global formula is so simple even an idiot could work it out.
If you enjoyed Gun X Sword, no doubt you’ll enjoy Coyote Ragtime Show. Fans of camp anime like Kiddy Grade, Burst Angel and even Madlax, this show is aimed at you. There is fun to be had, but honestly, I’ve already seen this anime 5 or 6 times and no longer do I have will the will to sit through such emotionally bereft, superficial entertainment. One for the masses, please enjoy your BigMac with extra helpings of killer-maid-lolis. Yawn.
I was suffering from anime burnout earlier this evening and rather than try to watch something new (and inevitably hate it with this jaded perspective), I decided I’d dip back into my ever-growing DVD collection, pull out a classic I knew I’d love and rediscover my passion for anime.
Rurouni Kenshin: Trust & Betrayal is a series of dark prequel OVAs set before the events of the TV series. It’s a story concerning the bloody history of Himura Kenshin and reveals the mystery behind his iconic cross-shaped facial scar.
There are many, many reasons why I love these OVAs. Being a fan of the original Rurouni Kenshin TV series it is like a dream come true to see the series depicted in such a serious, dramatic way. Gone is the slightly uncomfortable slapstick comedy, replaced with horrific violence and a sombre mood. I always enjoyed how Rurouni Kenshin would regularly reference Japanese history and legend (I’ve learnt so much about Japan thanks to anime) and the narrative backdrop for these OVAs is based on true events; the Japanese revolution of the Edo period (around 1866 to 1869) in which the Tokugawa shogunate is eventually overthrown. We get to see legendary (real life) personalities like the Shinsengumi’s feared captain Hajime SaitÃ…Â in action fighting Kenshin. Their climatic meeting in Trust & Betrayal is a great moment for both fans of the TV series and history buffs a like.
The action, which purely consists of lighting fast, utterly brutal sword and ninja fights showcases some of the finest samurai choreography ever animated. Watching Kenshin taken down warrior after warrior is an absolutely stunning and harsh spectacle, an utterly visceral, backs against the wall feeling.
Of course this would all mean nothing if Trust & Betrayal had little of real value to say but thankfully, this is far more than simply fan service for pre-existing fans of the TV series. The story is self-contained and features an absolutely gripping love story; driven by a tragic romance, set against a world-changing revolution and animated with visceral brilliance, these 4 OVAs are rightly considered landmark productions and taken as a whole, are up there amongst my favourite anime of all time.