Although I’ve been writing this anime blog for a long time now, over 6 years, in fact, I’m still not sure of the kind of blogger I am. I’m not disciplined enough to write every few days, nor do I enjoy deep analysis of anime. I don’t even really enjoy discussing it to any great… Continue reading Birdland
I have many a faint and fond memory of Eureka Seven, but wasn’t sure how to feel about news of its sequel. It ended with a quite profound sense of finality, after all. Everything that needed to be said, was, and underscored with probably the finest insert song ever used in anime, too. I’m using… Continue reading Being swept away
This whole Hatsune Miku thing fascinates me.
Beck: Mongolian Chop Squad. Talk about a mouthful. The name may be a tribute to the author’s favorite band, Red Hot Chili Peppers, which also has four words in its name. In any case don’t be scared away by the name, this series about a rising rock band is a treat even for non-music fans.
Something has always bothered me about the ending of Samurai Champloo. It was an ending that haunted me for nearly a year after finishing the series, its memory resurfacing every time I thought about it. Midicronica’s “San Francisco” was in many ways a fitting ending for an anime which drew so heavily from hip-hop and… Continue reading Walking Away
If I had to condense my love for anime into one single moment, I’d choose the scene when `Space Lion` begins playing in the 13th episode of Cowboy Bebop (Jupiter Jazz.) It is one of the first times I can remember feeling a pang of bitter-sweetness whilst watching anime: the sadness of Gren’s passing tempered… Continue reading Gren's eternal smile
Not sure how I missed this, but the full soundtrack for Tengen Toppa Gurren Lagann was released recently; that’s 51 tracks of epic, exciting, heavenly music, and even better, it contains the one song I’ve be longing to hear since late-July. I’m talking about track 13 on Disc no.2; the translated title is “The Days… Continue reading Musical memories of Gurren Lagann, recalling a whimsical dystopia
A Gabriela Robin Site have posted an awesome acoustic live set by regular Yoko Kanno vocalist/collaborator Steve Conte. Performed songs include “Heaven’s Not Enough” (my favorite), “Living Inside the Shell”, “Words We Couldn’t Say”, “Rain” and “Call Me Call Me” – so that’s some of the best music from Wolf’s Rain, Stand Alone Complex and… Continue reading Attention Yoko Kanno & Steve Conte enthusiasts!
I’m a big fan of Yoko Kanno’s music; be it the atmospheric electronica of Macross Plus (1994) or the acoustic style contributed to Wolf’s Rain (2003), it’s hard to ignore the core emotional beauty of her work; a quality that, not matter which musical style she borrows, ensures that she captures our attention (and often,… Continue reading Polling Yoko Kanno's best soundtrack?
It’s taken me two or three months, but today I finally finished watching Eureka Seven. Like whenever I finish reading a book or watching a long TV series, I feel like I’ve accomplished something big, but at the same time, I’ve grown attached to the Gekko-go and I’m not ready to wave good-bye. I adore… Continue reading It's theEnd of the world! Reflecting on Eureka Seven!